(Source: amandah-pandah, via queerhairyvag)
(via filipinafemme)
I don’t want to make somebody else. I want to make myself.”
—
Sula, by Toni Morrison (via gerutha)
this. I’ve no time/interest in having children or changing a lover’s perspective about the world we live in when my full time job is learning about myself and growing.
(via queerhairyvag)
The heterosexuality or homosexuality of many individuals is not an all-or-none proposition.”
—
- Alfred Kinsey, in Sexual Behavior in the Human Male (1948). Kinsey was an early researcher in the field of human sexuality. His Kinsey Scale first introduced the idea that sexual orientation was a continuum.
(Source: plannedparenthood)
We grew up with the Internet and on the Internet. This is what makes us different; this is what makes the crucial, although surprising from your point of view, difference: we do not ‘surf’ and the internet to us is not a ‘place’ or ‘virtual space’. The Internet to us is not something external to reality but a part of it: an invisible yet constantly present layer intertwined with the physical environment. We do not use the Internet, we live on the Internet and along it. If we were to tell our bildnungsroman to you, the analog, we could say there was a natural Internet aspect to every single experience that has shaped us. We made friends and enemies online, we prepared cribs for tests online, we planned parties and studying sessions online, we fell in love and broke up online. The Web to us is not a technology which we had to learn and which we managed to get a grip of. The Web is a process, happening continuously and continuously transforming before our eyes; with us and through us. Technologies appear and then dissolve in the peripheries, websites are built, they bloom and then pass away, but the Web continues, because we are the Web; we, communicating with one another in a way that comes naturally to us, more intense and more efficient than ever before in the history of mankind.”
— Piotr Czerski (via azspot)
(via feministsbakecupcakestoo)
The famous depiction of galloping horses by using coconut shells came about from the purely practical reason that the production simply couldn’t afford real horses.
Monty Python and the Holy Grail (1975)
via IMDb
(Source: filmcrack, via itscandidlycara)
Real, playable Journey to the Center of Hawkthorne
Holy crap. Community fan Derferman actually built Journey to the Center of Hawkthorne.
I LOVE EVERYONE IN THIS FANDOM
(via darkesttimeline)



